Very sad to hear the news (yesterday) that celebrated chef and restaurateur Joël Robuchon has died after a long battle with cancer. He’s the man whose restaurants have been awarded more Michelin stars than anyone else – they hold 23 round the world currently. I have been lucky enough to meet him, and eat his sublime food, twice in the past five years, on both occasions at Veuve Clicquot’s ‘Hotel du Marc’ in Reims.
The first occasion was in March 2013 where after an extraordinary lunch, I sat with him on the sofa and he modestly talked me through the recipe for arguably his most famous dish, pomme purée truffée (Robuchon lunch produces magical combinations ).
I saw him again in March this year when Veuve Clicquot ran a week-long celebration of rosé to mark the creation of what the house calls “the world’s first blended rosé champagne”. This happened in 1818 when Madame Clicquot broke with the established tradition of using a ‘Teinture de Fismes’ – a preparation of elderberries boiled in cream of tartar – to make pink champagne, instead choosing to blend some Bouzy red wine with her classic white champagne, so initiating the modern method of rosé champagne production.
After a morning masterclass at Clicquot’s Hotel du Marc in Reims, with head winemaker Dominique Demarville showing examples of the red wine blending options Clicquot has for non-vintage rosé, vintage rosé and La Grande Dame rosé, we sat down to a lunch specially prepared by Joël Robuchon and his team to match Clicquot wines, including the current La Grande Dame Vintage Rosé 2006.
This is a wine of great complexity which evolved gracefully, never disappointing, through a series of Robuchon dishes including an artichoke and foie gras salad, which looked wonderful (see picture) and, unlikely as it sounds, seemed the perfect match for this wine. A dish I will remember for a long time. The man at the stove knows what he is doing.
Robuchon’s finishing masterstroke was to marry a simple, but not that simple, blanchette de veau with superb 1955 magnums of Bouzy Rouge which Demarville said came from one of the three best vintages of the 20th century, the other two being ‘47 and ’90. His creative genius will be sadly missed.
One of the main reasons that champagne houses covet working with the leading airlines is they like the exposure for their brands. They want to be seen as the preferred pour in the first or business class cabin. Partly because this is an affluent audience that’s difficult to reach, they will even agree relatively unprofitable deals to get the listing, though of course they are at pains to deny this.
Vincent Chaperon, right hand man of Dom Pérignon chef de cave Richard Geoffroy, was in London earlier this month to launch the P2 version of Dom Pérignon 2000. Interestingly, he also bought along the original 2000 release aged on the cork since its disgorgement several years ago in 2007. We went along to see him and asked him to talk us through the quite considerable difference in tasting profile the same wine has when it gets a decade and a half of lees ageing.
Over the years I’ve come to like the champagnes made by Gosset more and more. As Didier Gimonnet said to me on a recent visit to Cuis, producers should be judged on the quality of their whole range, not merely on one super-charged cuvée that they produce in minute quantities, as he suggested some commentators are apt to do. But as with the excellent Gimonnet wines, I’d be very happy drinking any Gosset champagnes, Continue reading “Gosset Celebris tasting: 1988 to 2004”
The prospect of tasting 15 prestige cuvée champagnes in one sitting later this week is a mouth-watering one. Especially as they are all from the celebrated 2002 vintage, which will probably, with a little competition from 2008 & ’09, go down as the finest vintage of the past decade. But it’s interesting to speculate — before I have seen the actual list — who will be included in the line-up?
I imagine Dom Pérignon, Cristal and Krug will be there, the last named only released to a rapturous welcome early this year, while Cristal will potentially boast considerable bottle age, given it was first made available over seven years ago. I guess Dom Ruinart, fabulously rich and powerful in 2002 and Clicquot’s La Grande Dame will complete the Moët-Hennessy quartet in the line-up.
Before last month’s historic tasting of old vintages of Bollinger dating back to 1830, the year after the house was founded, on our tour of the cellars we saw the restoration work the winemaking team does by hand, using ancient methods.
In this short video we can hear Bollinger assistant winemaker Denis Bunner describing how the winemaking team, working in the cellars, are restoring Jeroboams of Bollinger ‘RD’ 2000. Disgorging the wines by hand (à la volée), tasting them all and then topping them up, before giving them their final cork, all of which is done by hand, using traditional skills.
Historically Champagne has not been seen as a wine appropriate for investment purposes, certainly not in the same way as say red Bordeaux. The three most commonly traded prestige cuvées have in the past been Dom Pérignon, Krug and Louis Roederer’s Cristal. Vintage Krug and Cristal, both produced in far smaller volumes than Dom Pérignon, tend to have the higher values, though which comes out on top depends on the Continue reading “Comte de Champagne vertical tasting 2006-1996”