Bruno Paillard, who has long championed the use of disgorgement dates on his own champagnes, and those of the brands in the wider BCC group, has an anecdote he is fond of bringing up to emphasize the importance of post-disgorgement ageing. He feels the more venerable the wine, the longer it needs to recover from the shock of disgorgement. In much the same way as an older person is likely to take longer to recover from a serious operation than a younger one. It makes sense. Champagne is unlikely to perform at its best Continue reading “Dom Pérignon launches 2002 P2”
Yesterday morning, the peace and tranquillity of the quiet, pretty village of Hautvillers was broken as a cavalcade of 17 black Mercedes people-carriers from Paris swept into town. The occasion was a momentous one for this, the Champagne cru most closely associated with Dom Pérignon; a change of winemaker and the launch of a great vintage.
After 28 harvests in charge and the release, so far, of 14 white vintages and 11 rosés he has made, Dom Pérignon’s chef de cave Richard Geoffroy is Continue reading “Richard Geoffroy retires after 28 years as Dom Pérignon winemaker”
Vincent Chaperon, right hand man of Dom Pérignon chef de cave Richard Geoffroy, was in London earlier this month to launch the P2 version of Dom Pérignon 2000. Interestingly, he also bought along the original 2000 release aged on the cork since its disgorgement several years ago in 2007. We went along to see him and asked him to talk us through the quite considerable difference in tasting profile the same wine has when it gets a decade and a half of lees ageing.
See the interview video:
The prospect of tasting 15 prestige cuvée champagnes in one sitting later this week is a mouth-watering one. Especially as they are all from the celebrated 2002 vintage, which will probably, with a little competition from 2008 & ’09, go down as the finest vintage of the past decade. But it’s interesting to speculate — before I have seen the actual list — who will be included in the line-up?
I imagine Dom Pérignon, Cristal and Krug will be there, the last named only released to a rapturous welcome early this year, while Cristal will potentially boast considerable bottle age, given it was first made available over seven years ago. I guess Dom Ruinart, fabulously rich and powerful in 2002 and Clicquot’s La Grande Dame will complete the Moët-Hennessy quartet in the line-up.
Pol Roger Sir Winston Churchill and Salon are two further acclaimed ‘02 releases, and I’m pretty sure Taittinger’s Comte de Champagne will feature (see my piece on the recent Finest Bubble vertical tasting of Comte 1996-2006 which included the 2002). To these eight we can probably add Continue reading “Fifteen prestige cuvées from 2002”
Historically Champagne has not been seen as a wine appropriate for investment purposes, certainly not in the same way as say red Bordeaux. The three most commonly traded prestige cuvées have in the past been Dom Pérignon, Krug and Louis Roederer’s Cristal. Vintage Krug and Cristal, both produced in far smaller volumes than Dom Pérignon, tend to have the higher values, though which comes out on top depends on the Continue reading “Comte de Champagne vertical tasting 2006-1996”
Released at a price premium well above ‘sister’ brand Dom Pérignon and produced in significantly smaller quantities, Moët & Chandon has launched its own ‘prestige cuvée’ named MC111. This wine has been a long time in the planning and harks back to Moët’s L’Esprit du Siècle – a blend of 11 top vintages of the 20th Century (1900, 1914, 1921, Continue reading “Moët launches prestige cuvée MC111”
When Dom Pérignon launches a new vintage, winemaker Richard Geoffroy likes to bring along some other bottles so you can compare and contrast. When I met up with him last month, as well as the soon to be released 2005 vintage, we tried again the so called ‘P2’ 1998 Dom Pérignon, the second release of DP that comes onto the market after further lees ageing (typically another 8 to 10 years) and now really showing its considerable class. We also looked at the latest Rosé release, the 2004, comparing that with the ‘P2’ pink from 1995, fast becoming my favourite vintage of that decade and these days regularly outclassing most ‘96s.
This was a great chance to look at how pink DP develops and evolves and in this short video I ask Richard to talk about the two rosés and their differences.